Posts Tagged ‘Camera’

How to Select a Digital SLR Camera Lens

Sunday, January 15th, 2012

Choosing a camera lens is a box of formidable and mostly confusing.

1. Zoom or Prime Lens

First, we need to confirm is either we need a zoom lens or primary lens / fixed. Lens zoom lens positively a some-more flexible, though has a advantage of primary lenses in visual peculiarity and are customarily milder and shorter.

2. Range of Focal lens

Then, we contingency establish a focal operation lens. Ultra far-reaching or fish-eye lens (fisheye) lens of this form has a operation of about 8mm to 16mm lens. This form of lens can constraint a really far-reaching area.

Standard: The lens has a focal operation of about 18-55mm. This form of lens is customarily in a gold when we select a digital SLR camera. These lenses embody all-purpose lens since it is mostly used for several purposes.

Telephoto: Lenses with focal operation of approximately 55-300mm. Lens brush star / superzoom: This lens has a focal operation lenses are really large, ie from 18-200mm or some are reaching 270mm. The lens of this form as a multiple of customary and telephoto lens so it is really flexible.

3. Aperture lens

Typically, primary lenses have incomparable openings than many wizz lenses. So when a vast orifice priority, improved demeanour around primary lens.

4. The functions of a lens

If we favourite a photos of insects, flowers, or other tiny objects, we should demeanour for this lens. A good macro lens is customarily categorized as primary lenses.

Most lenses have a duty is also faster than typical lenses.

 

 

THE SLR Magic HyperPrime CINE 50mm T0.95

Monday, January 2nd, 2012

Hong Kong lens maker SLR Magic has announced the HyperPrime CINE 50mm T0.95 lens for the Leica M mount. The lens, which can be easily adapted for Micro Four Thirds or Sony NEX cameras, is designed for low light and shallow depth-of-field videography and available-light photography. The lens features 12 elements in 7 groups and, the company says, is optimized to be shot with the aperture wide open. The lens won’t be available until September 2012. In the meantime, the company has also announced a spotting scope that mounts directly to Micro Four Thirds cameras.

Jump to:

-50mm T0.95 Press Release
-50mm T0.95 Specifications
-50mm T0.95 Additional images
-Spotting Scope Press Release

SLR Magic opens up the M mount lens lineup with the new SLR Magic HyperPrime CINE 50mm T0.95 ultra fast normal focal length lens. The world’s fastest interchangeable camera lens with an image circle beyond full frame coverage in its focal length, the SLR Magic HyperPrime CINE 50mm T0.95 concept lens will be publicly available for experience testing in September 2012 at Photokina in Cologne, Germany.

The field of view of this new HyperPrime Lens corresponds to a 50mm lens in 35mm format. It is optimized to be shot wide open. This ultra fast normal focal length prime lens opens up many new creative composition opportunities, particularly in the fields of available light, in portrait, and street cinematography. Built with modern non aspherical lens technology, the lens excels at defocusing busy backgrounds at T0.95. A minimum focus distance of 0.70m allows for artistic bokeh effect. A fast maximum aperture of T0.95 makes the SLR Magic HyperPrime CINE 50mm T0.95 ideal for available-light photography.

Our highest priority in the development of all HyperPrime lenses is to fulfill the demands of professional cinematographers and photographers. The design and build of the SLR Magic HyperPrime CINE 50mm T0.95 is solid and reliable.

The SLR Magic HyperPrime CINE 50mm T0.95, a concept lens, will be available from authorized SLR Magic dealers by the end of September 2012.

Digital Printers: Cost-Effective Quality

Friday, December 9th, 2011

Digital printers are perfect for small projects that need to be executed in a short amount of time. Of course the quality is not as perfect as methods of printing like litho printing but digital copies come a close second. Litho printing is very expensive but absolutely worth the cost if you require high quality and numerous copies. Whether it is business cards, personalised print or just simple photocopies, the printing method is very efficient and can take no time at all.

Digital printing is not confined to simply small amounts of prints – you can have large quantities of material printed off at any one time.

Digital printing is very beneficial for any business or organisation that need material printed quickly and efficiently. Colour is not limited and there are also digital printers that can handle printing of envelopes, letterheads, leaflets and other materials that you may require for your business. The one main advantage of digital printing that stands out over other printing methods that are available is that it takes far less time to execute the prints. Many digital printers offer a variety of services including simple black and white photocopying, digital colour photocopying which is run on laser technology and even scanning.

Best Cameras for the Year 2011

Wednesday, December 7th, 2011

Digital Camera – Best Cameras for the Year 2011

Nowadays, taking pictures are no longer associated with professional photography. Photography enthusiasts just love to capture the world’s beauty, whether the subject is a living or a non-living thing. This year, several camera companies released their newest models, which comes with more advanced features and stylish designs.

The latest model of Samsung, is its Samsung TL500 which was released on April 1, 2011. It has a twist and flip Active Matrix OLED display with rear screen, high sensitive sensor of 1/1.7″ CCD type with 10 million effective pixels. The down side? Samsung TL500 is perfect for taking photos, but never mind the video. Its video quality is poor.

Nikon Coolpix P500 was announced in the public last March 26, 2011. It has remarkable features that are great for photo shots and video. The gadget’s main feature is the 36x wide-angle optical zoom. It also has a side zoom feature that allows the user to capture fast moving actions with the slightest blur. Its bad side is the incapability of RAW format, lack of auto rotation of images and inconsistent photo quality, especially in dim places.

Canon PowerShot SX230 HSis the perfect choice for poor lighted areas. Still it catches excellent color and produces sharp images. It has a back-illuminated CMOS sensor, GPS receiver and a wide angle lens up to 14x zoom range.

Best Digital SLR Camera 2011

1.Nikon D3100 14.2MP Easy Nikon Guide Mode and 1080p video.

2. Nikon D7000 16.2MP High Speed 6 frames per second continuous shooting up to 100 shots. Great for action shots.

3. Canon EOS Rebel T2i 18 MP External microphone socket for recording great video sound.

4. Canon EOS 60D 18 MP Great step up camera if you’re graduating from a Rebel.

5. Nikon D90 12.3MP The D90 viewfinder is among the best in it’s price range.

6. Canon EOS Rebel T1i 15.1 MP The little sister to the T1i. Great if you are price conscious.

7. Canon Rebel XS 10.1MP Most affordable Canon. Lowest mega-pixels in the group. If you aren’t making prints larger than 8 x 10, this is more than enough camera.

Which  your favorite?

 

Up close-up and personal!

Saturday, December 3rd, 2011

“The close-up has objectified in our world of perception our mental act of attention and by it has furnished art with a means which far transcends the power of any theater stage.” – - Hugo Münsterberg (1912)

One of the many things that can make erotic nude photography a successful art form is the close-up. It can show the viewer sexy images in a different way. We then notice small details, weird juxtapositions and the small oddities not normally seen.

The close-up adds an erotic edginess that goes far beyond beauty. Beautiful female bodies like these scream for a closer look.

I won’t bore you today with witty banter and creative clever quips but rather implore you to explore these images of the better-known gorgeous girls; up close and personal!

“Good close-ups are lyrical; it is the heart, not the eye, that has perceived them.” – - Béla Balázs (1979)

“The close-up does not tear away its object from a set of which it would form part, of which it would be a part, but on the contrary, it abstracts it from all spatio-temporal co-ordinates, that is to say it raises it to the state of Entity.” – - Gilles Deleuze (1986)

“The space is constructed by a multiplicity of shots that vary in terms of both size and angle- hence this space exists nowhere; there is no totality of which the close up could be a part.” – - Mary Ann Doane (2003)

Close to the edge of insanity,


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